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Andy Z performs on the stage with his puppet Como C. Llama at the Magical Bridge playground in Mitchell Park in Palo Alto on July 23, 2021. Photo by Magali Gauthier.
Andy Z performs on the stage with his puppet Como C. Llama at the Magical Bridge playground in Mitchell Park in Palo Alto on July 23, 2021. Photo by Magali Gauthier.

By Parker Smith

A few miles from where I go to school, Palo Alto’s Magical Bridge Playground was built on a simple premise: Kids of all abilities deserve a place designed for them, and a community willing to think creatively about access can build something extraordinary. I’ve spent the last semester of school studying a problem the Peninsula is well-positioned to solve. Music therapy is an affordable intervention for autistic children with strong evidence behind it, yet it remains largely inaccessible, not because it doesn’t work, but because of how we choose to pay for it. 

I’m a senior at Menlo School in Atherton, and for my independent research capstone project, I wrote a research paper and built an economic model of access to music therapy for autistic children. Here is the core finding: 

A 12-week course of music therapy costs roughly $4,500 per student for three sessions per week. Using conservative assumptions throughout, every $1 invested in music therapy generates roughly $20 in measurable societal benefits. For a child completing a 12-week course, that amounts to nearly $78,965 in savings through reduced special education spending, lower long-term adult care costs and parental productivity recovered when a child gains communication, behavior and self-regulation skills. Even if I’m being overly optimistic and discounting the benefits by more than half, the floor is near 8-to-1. There are very few public investments anywhere that perform like this.

So why is music therapy almost absent from public funding and insurance coverage?

It isn’t the evidence. The reason is structural. A more intensive and considerably more expensive alternative reached the market first, secured insurance mandates, and built the infrastructure through which funding now flows. Music therapy, despite delivering comparable outcomes in social and behavioral skills at a fraction of the cost, never gained traction. 

The families living this reality don’t experience it as an abstraction. On the Peninsula, where the cost of raising a child with significant support needs is already staggering, parents are routinely told that insurance will cover the more expensive intervention. The lower-cost option that might serve their child just as well is often left uncovered, putting it out of pocket and out of reach. 

This is fixable, and it doesn’t require discovering anything new. It requires a billing code and a policy decision.

First, California’s legislature and insurance regulators can move to require coverage for credentialed music therapy delivered to children with autism, the way coverage was eventually extended to other established interventions. Second, local districts and regional centers serving San Mateo and Santa Clara counties can pilot music therapy as a covered service and publish the outcome, turning the Peninsula into a proof of concept. 

I’m 17, and I don’t have to write an insurance policy. But I learned something writing this paper that I think applies well-beyond this issue. I can demonstrate the gap, but I cannot close it. That part takes people deciding that the gap is real.

Parker Smith is a senior at Menlo School in Atherton, where his independent research focused on the economics of autism intervention funding.

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